The miracle of the apparition. Paul Valéry
Friday, April 22, 2011
Metformin Dosage Thin Pcos
21/04/2011
Martin Seel has recently published a book in English very brainy, very academic and very full that titula Estética del aparecer (Katz. Buenos Aires, 2010), donde se habla de este fenómeno hermoso. La obra de Seel pertenece a ese género de ensayos en los que el pilar de su discurso o la idea pilar se planta nítida y enhiesta, mientras a su alrededor, sea por cumplir con la atmósfera de la academia o los rituales del doctorado, crece una arboleda, una foresta y una selva de consideraciones atufantes que deslucen la intuición primordial.
Efectivamente, "lo verdaderamente importante (de los objetos artísticos) es presentarse". Cuando alguien pinta un cuadro o compone una música, la calidad primordial de esos productos lies in its ability to surprise and capture. No pictures or compositions are measures such as precision weapons, but have the utmost precision to make paralyzed heart in ecstasy. Not every subject and every object or voluntarily achieve that virtue nor professionally. Large number of subjects and objects of beauty can move around without tie ourselves or expect. For that, between them, one reaches the virtue of "present" sitting there waiting.
In the painting, "presentation" of the picture, the true "appearance" makes useless the words of the critic. That appearance muted language and communication rather than through a joint set or erudite, but only that way. The poems, especially, are no better or worse according to their meaning, but by the rumbling unstoppable unexpectedly receives the body. Unexpectedly, that is, without opinion, the masterpiece takes the teacher and his critic, to school and from which surrounding the course.
The "appearance" operates as an accident, no one before or after. Not only draws attention, but the steals. Moves not only curiosity, but, precisely, makes banal inquiry and occupy, in the position of a view, the role of a piece of evidence.
This event disrupts the order of thought and the chain from the more or less from most to least. Apart from that line to penetrate the artistic knowledge, the "appearance" is the alternative to the level of knowledge and of itself, "the event."
The Aesthetics of speech appear reverse is not the book The aesthetics of disappearance that drafted years ago, Paul Virilio. In the disappearance and the solar sprout free a genus of many different natures. By contrast, in "the aesthetics of the show" the phenomenon produced a unique and unusual, such as sudden life of the cell or the explosion of terrorism.
At the time of work of a painter, hours are ambulatory, others are testing large or small, others deal with working and other manual or mental finally glances match are critical to completion. In this long process may or may not be the apparition. In fact, in most of the works that an artist often ends supported, in the manner of a tail, an oscillating and unbearable doubt about its true value.
Only in one case there is no hesitation or reviews have no value: this is the case of the "appearance". The masterpiece has no master, no evidence or rational explanations have, comes from work, but as a creature released from the worker. Theirs, in short, not just the natural result of a painstaking operation nor the fate of a "re-presentation", but pure and hard, almost magically, "filing."
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